Bowler Profile
Voorschoten, 2015


 Working at Bemis, 2017 Photo by Colin Conces

Working at Bemis, 2017
Photo by Colin Conces

The creative output of AnthonyR.Green (composer, performer, social justice) includes musical and visual creations, interpretations of original works or works in the repertoire, collaborations, educational outreach, and more. Behind all of his artistic endeavors are the ideals of equality and freedom, which manifest themselves in diverse ways in a composition, a performance, a collaboration, or social justice work.

As a composer, his works have been presented in over 20 countries by Gabriela Díaz (violin), Wendy Richman (viola), Ashleigh Gordon (viola), Amanda DeBoer Bartlett (soprano), ALEA III (conducted by Gunther Schuller), The Playground Ensemble, Transient Canvas, Ossia New Music Ensemble, Access Contemporary Music, Ensemble 212, and Alarm Will Sound, to name a few. He has received commissions from Community Music Works, Make Music Boston, Celebrity Series Boston, Access Contemporary Music, and various soloists and ensembles. He has been a resident artist at the Kimmel Harding Nelson Center for the Arts (Nebraska), Virginia Center for the Creative Arts, Escape to Create (Florida), Visby International Centre for Composers (Sweden), Space/Time (Scotland), atelier:performance (Germany), and the Bemis Center for Contemporary Arts (Nebraska). As a performer, he has appeared at venues across the US, Cyprus, France, the Netherlands, the UK, Israel, Germany, and South Korea, working with numerous student and emerging composers, as well as established composers such as Renee’ C. Baker, Steve Reich, and George Crumb.

Through music and entrepreneurship, Green comments on many issues related to social justice, including immigration (Earned, for narrator and double string quartet), civil rights (Dona Nobis Veritatem, for soprano, viola, and piano), the historical links between slavery and contemporary racial injustice in the US (Oh, Freedom!, for narrator, voice, flute, viola, cello, & Almost Over, for sax quartet), the contribution of targeted and/or minority groups to humanity (A Single Voice: Solitary, Unified, for solo alto saxophone and fixed media), and more. His ongoing opera-project Alex in Transition outlines the life of a fictional transgender woman named Alex, and her journey to her truth and authentic living. This opera has been featured in the Ft. Worth Opera Frontiers  Festival, presented by New Fangled Opera and One Ounce Opera, and performed in a concert presentation at the Israel Conservatory of Music in Tel Aviv. Green’s most important social justice work has been with Castle of our Skins, a concert and education series organization dedicated to celebrating Black artistry through music. Co-founder, associate artistic director, and composer-in-residence, his work with Castle of our Skins has included concert and workshop curation and development, community outreach, and lecturing about the history and politics concerning Black composers of Classical music.

His main composition teachers have been Theodore Antoniou, Lee Hyla, and Robert Cogan, and he has participated in masterclasses with Laura Schwendinger, Paquito D’Rivera, and the JACK Quartet. His solo and colaborative work has been recognized by grants from Meet the Composer, the Argosy Foundation, New Music USA, and the American Composers Forum as a McKnight Visiting Composer.    

But when our work is blatantly ignored, disrespected, not studied, and not programmed, our voice is all we have.
— Anthony R. Green, from his article "What the Optics of New Music Say to Black Composers"